Portal de La Union
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The Cathedral of Cante, with full house, enjoying performances by Encarnación Fernández, twice winner of the Mining Lamp, Francisco Moncayo and Abdon Alcaraz, contest winners and instrumentalist flamenco guitar, respectively, in the last edition.
After the proclamation providing for an uncle who worked for the mineral deposits that extend from Almeria Union, Herrera said: "I've never known whether the mine is singing a song of pain, a laborious sing a song or melancholy. If he really is a pub singing a song of loneliness and ... "He defined the styles and miners' songs are bathed in the freedom of those who do not belong to any time school, full of melisma and flourishes, which can not be carried scores and with which its performers are unlikely to be taken to the Eurovision Song Contest. "
He reminded the Piñana dynasty and Pencho Cros: "At the end of everything at the end of the tunnel at the end of the story, the end of the Festival is always Pencho Cros, voice gallery wet Pencho Cros, the song rocked between tasca Pencho Cros and altar. "
Herrera made a long, documented and detailed and personal view of the best flamenco performers and creators.
Also some "sticks" as taranta of antiflamenquismo the last century, flamenco and flamencólicos of bullfighting and the anti-bullfighting, the generation of 27 and Jacinto Benavente, Gabriela Ortega, Shrimp, and Marchena of many others.
A long dissertation not bored anyone, but rather because it was full of well-managed learning, witty anecdotes and the "how to say" that the town crier Herrera showed off all the time.
In short, a cry of anthology.
Finally, Carlos Herrero piropeó the mining town: "The Union could not have known better and fairer way: a collective will, a shared delusion, a feast for all, open arms the stranger, a southern direction host ... "At the end, was long and justly applauded.
Source: Agencias
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